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Mackie 1604-VLZ4 16 Channel Analog Mixer

Mackie 1604-VLZ4 16 Channel Analog Mixer

£1,299.00

Available to Order.

Estimated delivery: 3-5 working days, join waitlist below.


Available to Order.

Estimated delivery: 3-5 working days, join waitlist below.

Join the waitlist to be emailed when this product becomes available


Prepare yourself for freedom. Because with a Mackie 1604-VLZ4 16 Channel Analog Mixer, there’s nothing standing in your way. Phenomenal sound, intuitive controls, and a feature-set that has proven itself time and time again.


EAN: 5060348660514 SKU: 2040765-03 Categories: , Brand:

Overview

The legendary Mackie 1604-VLZ4 16 Channel Analog Mixer now combines the renowned Onyx preamps and with the high signal-to-noise ratio, for which Mackie has been known for a long time. All 16 channels provide Onyx preamps, line inputs and inserts in a compact 4-bus design for professional application in different fields. Moreover the Mackie 1604-VLZ4 16 Channel Analog Mixer impresses with its solid design as well as with a high contrast coloring of the ergonomic surface, enabling simple and intuitive handling. The Mackie 1604, through its use in several broadcast stations and post production studios and because it is the most used band mixer, has a unique selling point in the world of compact mixers.

Features

  • 16-channel mixer featuring Mackie’s signature high-headroom, low-noise design
  • 16 boutique-quality Onyx mic preamps
  • Ultra-wide 60dB gain range
  • 128.5dB dynamic range
  • +22dBu line input handling
  • Extended frequency response
  • Distortion of less than 0.0007-percent (20Hz – 50kHz)
  • Improved RF rejection ideal for broadcast applications
  • Phantom power for condenser microphones
  • 16 high-headroom line inputs with +4/-10 operation control
  • 3-band EQ with sweepable mid-range for sculpting your sound
  • 18dB/oct 100Hz low-cut filter on mic input channels
  • Four Aux sends, level, pan, and solo controls, as well as overload/mute LEDs on each channel
  • Four stereo returns, eight direct outs, and four group/bus outputs
  • 60mm long-wearing log-taper faders
  • Control room/headphones multi-input source matrix
  • High-resolution 12-segment stereo meters
  • Sealed rotary controls resist dust and grime
  • High-visibility, high-contrast controls for convenient at-a-glance visual feedback
  • Rack-mountable design with three physical configurations via Rotopod accessory (not included, available separately)
  • Multi-voltage power supply allows for worldwide use
  • Signature Mackie ‘Built-Like-A-Tank’ rugged steel chassis with powder-coat finish
  • THD:
    • Mic In to Insert Send: Less than 0.0007-percent, 20Hz-20kHz bandwidth, 1kHz at 35dB gain
    • Mic In to Main Out: Less than 0.005-percent, 20Hz-20kHz bandwidth, 1kHz at 35dB gain
  • Frequency Response: 20Hz to 50kHz (+0, -1dB) / Less than 10Hz to more than 100kHz (+0, -3dB)
  • EIN: -128.5dBu, 20Hz – 20kHz (150 Ohm termination) (mic input to insert send out, max gain)
  • CMRR: Better than -70dB at 1kHz
  • Maximum Levels:
    • Mic In: +22dBu
    • All Other Inputs: +22dBu
    • Main Mix TRS Out: +28dBu
    • All Other Outputs: +22dBu
  • Impedances:
    • Mic In: 2.5 k Ohms
    • Channel Insert Return: 2.5 k Ohms
    • All Other Inputs: 10 k Ohms or greater
    • Tape Out: 1.1 k Ohm
    • All Other Outputs: 120 Ohms
  • High EQ: +/-15dB at 12kHz, shelving
  • Mid EQ: +/-15dB sweepable from 100Hz – 8kHz, peaking
  • Low EQ: +/-15dB at 80Hz, shelving
  • Low Cut Filter: 18dB/octave, -3dB at 75Hz
  • Dimensions: 433mm x 129mm x 440mm / 17” x 5.1” x 17.3” (H x D x W)
  • Weight: 9.1kg / 20lbs

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